The Nightrider has been one of the most popular unorthodox pieces
since its invention by T. R. Dawson over 90 years ago. It is a
line-moving piece like the queen, rook and bishop, moving any number
of knight moves in the same direction, hence a nightrider at a1 can
move to b3, c5, d7, c2, e3 or g4. A check from a1 to a king on d7
can be parried by a move to b3 or c5. An example using nightriders
can be seen in the introductory material on
Fairies.
1.Nb1 threat 2.f4;
1...Rxd4 2.Nd6 (2.f4? Rd2!);
1...Nxd4 2.f8N (2.f4? Nf3!);
1...Nh7 2.d5.
The key sets up a battery. Black’s two main defences are
self-pinning captures on d4, anticipating that the threat will
unpin the black piece, allowing it to interpose on the
nightrider’s line. In each case White responds with a mate
which exploits the pin. Such strategy is named after a great
composer who died very prematurely, Israel Schiffmann (1903-30). The by-play variation features a mating move which shuts off both black pieces.